Deemo-R's audio Reviews on Newgrounds

[The Puppet Lord]

Oh, how I love the combination of an accordion and harpsichord in this sort of song. Without wearing any headphones, the mix sounds great, and the instrumentation is consistently interesting and strong throughout. The only thing that kind of drew me out were the jazzy little choir "doo"s that floated around here and there, but only because they were all articulated the same way. The waltz feeling might have benefited even further if they were a bit more staccato/marcato-ish on the 2nd beat. Just an opinion of mine, I think it would have complimented the accordion's part quite well. I have no real qualms with this song that would diminish how much I adore it. <3

[Early Morning Sunlight]

It was a pretty relaxing little tune, I'll say! I was actually wondering if you were going to bring in some percussion after establishing the main melody, and lo and behold, there it was. My ears are a bit fatigued at the moment, but it seems like everything is balanced fine. My suggestion is to draw back the percussion a bit, though, especially that tambourine, hi-hat, and snare. In this sort of piece, you don't want them taking the leading role, but rather just drive it from behind, like a feeling the back of your head. Drums can be heard pretty well even when they're turned down a bit, so don't be afraid to experiment a bit with that ;D

I've also been told that if you choose to use crash cymbals, they should always be turned even lower than your snare. Loud crashes in the mix make the whole kit sound small in comparison, so turn them down quite a bit.

Enjoyed the vibes! :D

Neon-Bard responds:

I'm glad to know that everything seems balanced. Well...everything except for the percussion. Percussion tends to be my Achilles' heel, but in light of that, it's always something I can work on!

I really appreciate the review, thanks a million! :D

[You Told Me]

Geez, what is up with all of these recent 0/1-star ratings I keep seeing -.-;

Definitely not an accurate rating for this. I like it a lot; it's got a very pensive vibe going in the intro, with the nice, distant chords juxtaposed to the crisp bass. The drum part is very interesting, but the mix on it needs work. I know how hard it is with the drums, though. Those things can be cruel to work with, but it's crucial to attaining the perfect sound. ;)

For the drums, the snare needs to have more punch and not sound so far away. It sounds almost as though you're listening to it in a school auditorium (which I'm not sure what your recording environment was, so I can't say much about that). The bass drum should also have a bit more presence, but in this context, it should seem like more of a feeling than a part (if that isn't the worst description I've ever made...). Think of it like the thumping of a person's heart, or the feeling you get when the bass drum resonates in your chest. That sort of sound will most likely sound better in this song. The cymbals sound less than desirable, too. I can't tell if it's the way the set's mic'd or the mix, but they don't seem to create the proper sound...

I generally just suggest to listen to professionally mastered material and try to break down similarities in what they do with mixing the parts. Experimentation is the way I personally do it, but it's not the preferable way of going about it.

Either way, great musicianship in this! There's a lot of potential in this sound you've got going!

kingdarkeyes responds:

You're very right about the drums. The cymbals are very...eh..."crunchy", and the snare and bass do need more presence. The problem is mainly that we have to record in a room that's not very well-equipped in the studio acoustics department, and we have very lo-fi gear. Not to mention this is the first song I've ever had to "produce" (if you can call it that haha). But hey, it sounds like you know a thing or two about it, so I'll probably be shooting you a PM at some point for tips, if that's cool. Thanks for taking the time to comment, and thanks for the feedback. It's much appreciated!

[As The Phoenix Rises]

I love that you've put so much of yourself into this piece, it really gives it a special sort of feeling that you don't see every day (or hear). To me, this seems very much along the lines of a film score, with a lot of cinematic imagery floating around within it. I think the parts are very well written. One thing that I'd suggest is to really let yourself be free with the dynamic motion of these parts; it does wonderful things that nobody usually expects they are capable of. Push and pull, rise and fall, every part should be going somewhere. When I last performed with an orchestra, the conductor could easily pull aside any section for hours at a time to relay a single section to them. You could practically write a documentary on each of the instruments' parts, there was so much the composer would do.

I really hope to hear more stuff like this from you in the future! ;D

Neon-Bard responds:

You know, I'm beside myself after reading this review. It makes the song that much more meaningful. To know that somebody else appreciates it for what it is and what it means personally is fantastic. It's pretty cool that you mention that it has a 'film score' feeling to it!

This really struck a 'chord' with me (see what I did there?....yeah it's awful I know...):

"One thing that I'd suggest is to really let yourself be free with the dynamic motion of these parts; it does wonderful things that nobody usually expects they are capable of. Push and pull, rise and fall, every part should be going somewhere."

I'll definitely be keeping this in mind for everything else I make. Btw, it must be awesome to play with an orchestra...I don't play any classical instruments myself so I can only imagine what that must feel like.

I will be making more stuff like this for sure, it's great to know you'll be keeping an eye out for it. :D

[Sir Sirius - Stardust SP]

Really nice, I like how you've got this going. The snare could use a bit of modification, but that's nothing too bad. What I think could improve the meditative vibe of this song a bit is varying the velocity of the lead instrument a bit more (the one that comes in at 00:27) to give it a more human feel. Also, this is personal preference, but I'd take a bit of the brightness of it away. A darker tone would REALLY add to the beautiful pads in the background. They give off a really ethereal, distant vibe, while the lead sounds very close and bright, almost like it's about to switch genres (in a way, it sort of does, I suppose). Lastly, I'd suggest keeping some warmth/dark texture in the background during the dubstep section. Not as overt as it is in the rest of the song, but something subtle to continue the idea of a relaxed atmosphere.

Very nice work so far, I'm quite enamored with the sound of this! =D