You've always been very good at this direction of writing, but I feel as though somehow you've leveled up in some tangible way over time on making even more melodically satisfying and "iconic" (for lack of a better word) arrangements. I love what you do in this space! 2:07 is a particularly Hisaishi-esque texture, but overall I feel like you're making your own amalgamation of that general language. Fantastic!
(This review is not related to NGUAC.)